In an environment where symbols and images are quickly drawn into ideological fronts, multilayered and ambiguous works like this can sometimes make viewers uneasy. Questions like “Who is this against? What is it criticizing? What does it support?” immediately arise—and when no clear answers are given, people may feel uncomfortable or keep their distance. The ambiguity of the Googollars might actually be their greatest strength; but that very strength can feel threatening to an audience seeking clarity. They are neither sacred nor secular, neither friend nor foe—stuck in-between, they say so much, yet exactly what they’re saying is left to the viewer. That’s like relinquishing control. Perhaps Googollars represent something too “new” to be interpreted. Maybe in our time, these hybrid beings have no real-world counterpart.